2006年に全世界デビューして以来ソニックスーユや坂本龍一など多くのアーティストから高い評価を得る、Takahiro Kido, Yuki Murataを始め、RiLF（Anoiceとmatryoshkaのヴォーカリストcaluによるバンド）, mokyow（Anoiceの男性メンバーによるバンド）, cru（AnoiceのTakahiro KidoとYuki Murataによるネオクラシカルユニット）などの多くのサイドプロジェクトやシークレット名義を持つ、メンバー全員がマルチインストゥルメンタル奏者のインストバンドAnoiceによるセカンドアルバム。
緻密に計算されたシンプルな楽曲構成によって唯一無二の音楽表現を確立した、美しくも儚いネオクラシカル作品。坂本龍一が高く評価した名曲「Glitch」や「Short Film」等のピアノとヴィオラを中心にした静かな室内楽曲から、暗闇の中から突如現れるリズムが圧倒的なポストロックの傑作「id」まで、ストイックに貫かれた独自の世界観は圧巻の一言。
廃墟ホテルにて収録された、緊張感に満たされた空気感も必聴です！
現代音楽とロックの要素を見事に融合させた、日本が世界に誇るバンドのマスターピース。

= Ricco Label

米Importantより2006年全世界デビューし、ソニックユースやMonoらから高く評価されたバンドAnoiceが待望の２作目を自身のレーベルからリリース。ピアノのミニマルかつリリカルな旋律、ヴィオラの使用など、シルヴァン・ショーヴォー、マックス・リクターまたはTypeレーベルの諸作といったポスト・クラシカル的サウンドとも共鳴する室内学的アプローチを主軸とし、時に情動的ポスト・ロックな側面も見せるシネマティックな美しい作品。

= intoxicate

古びた８mmフィルムの切ない懐かしさやトイカメラが写す夕日の穏やかさ。目を閉じると音に対応するように、そんな情景が思い浮かぶ。それはひたすらに美しく心地よい。

= sen - Matryoshka

After the release of the indispensable solo work of Takahiro Kido, here comes Anoice's Out of Season, a project under the terrible pressure of topping 2006's Remmings. Out of Season takes on the dreaded role of the album that comes after the fantastic debut, the one which can supposedly affirm or end the presence of a band. By now firmly implanted in the minds of obscure music listeners, the six members of Anoice make neo-classical music that flirts with the boundaries of experimentation and ambience. If you're put off by the ever-increasing amount of technical terms and genre names and are more attached to emotions and feelings, consider that Anoice makes music that moves you.

In structure, Out of Season does resemble its predecessor, as it is composed of four very melodic songs surrounded by smaller segments that focus on experimentation. While the record as a whole is less accessible, and sees the band dare to wander off of the beaten path more openly, it still revolves around the same formula: Anoice's music is so beautiful that each note is as a still from a movie projected onto your closed eyelids. The comparison to great film scorers is an obvious one: where "Glitch" reminds of Max Richter's best pieces, the opening of "Short Film" has the passion of a sonata by Michael Nyman. Anoice's favorite pastime is to make you travel to places you haven't been, or put you in situations you haven't experienced, through their music. In "ID," you find yourself hiking through plains that extend as far as the eye can see. "Short Film" lays you on a bed of sakura petals, in the midst of an afternoon in Kyoto's spring.

Yes, the feeling of Remmings is still there. Nonetheless, the means have changed. Remmings rocked, Out of Season gently pitches forwards and backwards. The bass that grooved so often in the past now hums, the piano oscillates between loud melodies and low, caressing backgrounds. The drums are less heard, yet more present. The sound is liberating to the listener because you can feel that the musicians made the conscious decision to be more free in their song-writing.

Unfortunately, this venture into mixing both sides of their music takes a lot of strength out of the experimental glimpses that seperate each "big" track. Once again, it feels a bit like these tracks are only filler material, and it hits even harder when the experimentation is done just as well in the core of their majestic pieces.

Freedom, especially in music, paradoxically needs to be channeled for the listener to feel the same pleasure the artist did when he wrote and recorded his creations. It asks for the utmost precision, for more concentration. Bottom line, it is more time and effort-consuming than a more restricted approach. But when it's done well, nothing can top its creativity. If the members of Anoice hadn't already nearly proved to be capable of such an accomplishment, I would just say that Out of Season is a excellent album. In the present situation, I feel compelled to say that this is an album that, had it been given more thought and more polish, would have been capable of reaching greater heights. Maybe Takahiro Kido and his pals, having spent most of last year writing and performing for side-projects, have lost focus on their main band and it somehow damaged this new album, making it only excellent when it could have been truly amazing. Then again, if you've listened to Fleursy Music, you'll side with me when I say that it's a loss I'm willing to take.

= Samy Bennaoui - The Silent Ballet

One of Japan's premiere instrumental acts, Anoice stunned The Silent Ballet staff in 2006 with its debut release, Remmings. Two years later Out of Season is feeding our hunger for new Anoice material, but it comes with a bit of a surprise. What was previously a balanced mix of post-rock and neo-classical genres has veered into experimental territory. The new album sheds the conservative sounds of its predecessor and fully embraces the compositional oddities of its members, allowing them to be fully expressive and Out of Season greatly benefits as a result. While neo-classical music is currently getting a lot of attention this year, no one has produced a work as distinctive as Anoice, who continually prove to be on top of the genre.

= The Silent Ballet

With guitars, bass, viola, keyboards and drums, the six Anoice succeed to create incredible atmospheres between Sigur Ros, Arvo part and Rachel's.

= Rockerilla

Even when all of them are going at it hammer and tongs they act more like an orchestra with each player adding their own element to the melody. Anoice hit all the blissful and joyous emotions and only rarely dip into melancholy like most bands of the same ilk.

= Brainwashed

Anoice have produced something entirely different and original, a mature record of great beauty and attention to detail that rises above any clichés and should by all accounts establish them as one of the leading artists today.

= Rockarolla

2004年に東京で結成されたインストバンド。Takahiro Kido, Yuki Murataを始め、RiLF（Anoiceとmatryoshkaのヴォーカリストcaluによるバンド）, mokyow（AnoiceのTakahiro Kido, Takahiro Matsue, Tadashi Yoshikawaの3人とキーボーディストKenichi Kaiによるバンド）, cru（AnoiceのTakahiro KidoとYuki Murataによるネオクラシカルユニット）などの多くのサイドプロジェクトやシークレット名義を持つ、メンバー全員がマルチインストゥルメンタル奏者のインストバンド。2006年ボストンのImportant RecordsよりNon-Formatがアートワークを手がけたファーストアルバム「Remmings」でデビューして以来、世界中の様々なアーティストから高い評価を得ている。2008年には音楽レーベルRicco Labelを設立し、セカンドアルバム「Out Of Season」と、廃墟ホテルにて即興演奏をレコーディングしたミニアルバム「Ruined-Hotel Sessions」をリリース。2012年には、ピアノと弦楽器をベースにした壮大なオーケストレーションと、時に融合される鮮烈なノイズとビート、及び電子音による破壊的なまでに美しいサウンドスケープで唯一無二の世界観を作り上げたアルバム「The Black Rain」を全世界リリース。AnoiceとメンバーはCM（アルマーニ、ルイ・ヴィトン、Rag & Bone、Google、NTT、JT、SEEDコンタクトレンズ、パナソニック、TRIUMPH、アステラス製薬、サイトーウッド等）映画/映像作品（ヴェネチア国際短編映画祭受賞作品「Internet is a Desert」、ベルリン/カンヌ国際映画祭ノミネート作品、及び札幌国際短編映画祭受賞作品「Li.Li.Ta.Al」、宮崎駿監督ジブリ短編映画「たからさがし」、東宝映画「ホノカアボーイ」、オーストリア映画「Penerose」、カルフォルニア州レッドウッド国立州立公園等）イベント（ミラノコレクション、モスクワインターナショナルヴィエンナーレ、チェコバレエ「Tanzbrucke 2011」、クラシック音楽祭「ラ・フォル・ジュルネ・オ・ジャポン」、豊島区政試行80周年イベント「笑顔のハート」、伊勢丹「NIPPON VISION」、別府アルゲリッチ音楽祭等）アート雑誌の企画（フランス「Purple」、オランダ「Another」、イギリス「POST」、ベルギー「GONZO」等）音楽アーティストの楽曲（Films、The Flozen Vaults、未知瑠、Pleq、ソノダバンド、空気公団、南聡、エリーニョ、The Watanabes、Holocene等）等の音楽制作を担当、及び編曲や演奏等で参加している。